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Inspiration for Issue 02 stemmed directly from the work that we saw artists engaging with around Boston. As you flip through these pages, you’ll find that “Field Work” does not exclusively refer to a granular methodology, but rather extends to artists, writers, designers, and scientists whose work directly engages with the land we occupy. This issue concerns itself with the human experience, the symbiosis between existence and environment, and our relationship to Earth, matter, and its elements. Throughout these pages, we are posed with questions of stewardship, agency, and empathy towards our planet. “Field Work” presents an opportunity to evaluate our relationship to Earth and to one another as collaborators on this planet.
Cover: Cassandra Klos.
Title
Author
Category
Link
Studios Without Walls Explores New Environments for Public Art
BAR Editorial
Review
A Stage for Emergence: Fujiko Nakaya’s Installations Reveal Fog as a Sculptural Medium
Jameson Johnson
Feature
READ
Clint Baclawski Imagines an Ad-less America in Flashing Lights
Phil Zminda
Feature
Post Partisan: A Look Inside For Freedoms’ 50 State Initiative
Pola Dobrzynski, Mirabelle Espady, and Madeline Jorn
Concept
Reframing Boston’s Waterfront: The Emerald Tutu’s Approach to Climate Change
BAR Editorial
Concept
Island of Simulation: Three Monologues
Andrea Carrillo
Concept
Surface Tension: An interview with Katarina Burin
Lauren Pellerano Gomez
Interview
Ground Control: A conversation with Cassandra Klos
Lauren Pellerano Gomez
Interview
NCAA + QSS: In conversation with Maria Molteni
Courtney Stock
Interview
Field Notes from the Human Garden: In Conversation with Lani Asuncion
Çaca Yvaire
Interview
Hope is a Consequence of Action: A Conversation with Jane D. Marsching
Mark Alice Durant
Interview
Placing the Uncanny Valley on Google Maps
Stella Egelja
Critical Perspective
A Reconfigured Simulacrum: The Contemporary Art Diorama
Betsy Willett
Critical Perspective
To Sense The Land, As It Is
Laura Knott
Critical Perspective
Historical Amnesia, Patriotism, and the Boston Tea Party Museum
Jessica Caponigro
Critical Perspective
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