Issue 14: Half Full
Spring/Summer 2025
$21.00
Spring/Summer 2025
Coming May 3
HALF FULL will delight in duality, incompleteness, and lapses in memory.
With contributions by:
Sónia Almeida
Clara Maria Apostolatos
Luis Arnías
Storm Bookhard
Jacqueline Houton
Jameson Johnson
Lauren Levato Coyne
Joetta Maue
Darla Migan
Michelle Millar Fisher
Michael Medeiros
Karla Méndez
Zach Ngin
Memory Object
Alanna Prince
Alisa Prince
Thea Quiray Tagle
Rachel TonThat
Dorian Wood
Featuring:
Nora Burnett Abrams
Sarah Ganz Blythe
Renée Green
Yonatan Hopp
Kathy King
Skooby Laposky
Miguel Enrique Lastra
Jennie Jieun Lee
Lucy R. Lippard
Megumi Naitoh
Angela Tate
Cover: Renée Green, Colour Games, 1989. Acrylic on wood, Letraset dry-transfer lettering, and rubber-stamped ink on Masonite. Collection Yun Chun Lu.
Subscribe and Save
Subscribe and save! Get every issue of Boston Art Review delivered to your door, plus free shipping.
In this Issue
Title
Author
Category
Link
From the Editor
Jameson Johnson
Letter
Persistence in the Archives: Community Engagement and new platforms are fueling a renewed interest in local histories
Alanna and Alisa Prince
Features
The Bounty of the Berkshires’ Art Attractions
Lauren Levato Coyne
Features
Modes of Expedition: Renée Green’s textual cartographies
Storm Bookhard
Profile
Good Stuff: Lucy R. Lippard takes stock of a life well lived
Michelle Millar Fisher
Conversations
Turning Basil into Beats: How sound artist Skooby Laposky makes music with plants
Jacqueline Houton
Conversations
Antidiscipline / Antidisciplinario: Luis Arnías and Dorian Wood on intuition, liberation, and the art of refusing structure
Jameson Johnson
Conversations
New to Town: Sarah Ganz Blythe, Nora Burnett Abrams, and Angela Tate discuss their first year on the job at Boston-area museums
Jameson Johnson
Curator's Corner
Holding More: The vessel as a site of possibility
Kaitlyn Ovett Clark
Community Voices
Resonant Variations
Sónia Almeida, in collaboration with Memory Object
Artist Project
“Dirty & Disorderly” at MASS MoCA
Rachel TonThat
Reviews
“Temporarily Ours” at Smith College Museum of Art
Michael Medeiros
Reviews
“As It Were, Suspended in Midair” at Brandeis University’s Kniznick Gallery
Joetta Maue
Reviews
“Waters of the Abyss: An Intersection of Spirit and Freedom” at the Isabella Stewart Gardner Museum
Thea Quiray Tagle
Reviews
“Witnessing Humanity: The Art of John Wilson” at the Museum of Fine Arts, Boston
Jacquinn Sinclair
Reviews
“Julien Creuzet: Attila cataract…” at the David Winton Bell Gallery at Brown University
Karla Méndez
Reviews
“Hugh Hayden: Home Work” at the Rose Art Museum
Darla Migan
Reviews
